{"title":"Record Store Day 2025","description":"\u003cp\u003e\u003c\/p\u003e","products":[{"product_id":"sweet-female-attitude-vs-sunship-flowers","title":"Sweet Female Attitude vs. Sunship - Flowers","description":"\u003cp\u003eCelebrating its 25th anniversary, Sweet Female Attitude’s classic debut single “Flowers” is now available on 12” vinyl for the first time since 2000. This iconic track from the noughties was a staple in both club and radio and its still played on the airwaves regularly today. A classic for the UK G generation. It even hit the top 40 in the UK singles charts, thanks to a garage mix by UK producer Sunship. This slab of nostalgia from the turn of the century is remastered, reissued and repackaged for RSD in \"sun-flower yellow vinyl\" (see what we did there?), featuring the 4 most desired mixes from across the original versions.\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104158196043,"sku":"SWT-FML-TTT-VS","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/IMG_7847-973664f.webp?v=1776987335"},{"product_id":"swell-too-many-days-without-thinking","title":"Swell - Too Many Days without Thinking","description":"Never released on vinyl since 1997, this Record Store Day edition has re imagined artwork from Sean in the band and is pressed on Oxblood vinyl. Swell were an indie rock band from San Francisco, formed in 1989 by David Freel and Sean Kirkpatrick, with Monte Vallier joining in the early 90’s. “Too Many days without thinking” was their fourth and some would say their most important record. It was recorded between 1994 and 1996 in Los Angeles, San Francisco and finally in New York with producer \u0026amp; mixer Kurt Ralske ( Ultra Vivid Scene).","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104158294347,"sku":"SWL-TOO-MNY-DYS","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/IMG_7848-a3bf26a.webp?v=1776987346"},{"product_id":"swell-maps-the-john-peel-sessions","title":"Swell Maps - The John Peel Sessions","description":"\u003cp\u003eSwell Maps - The John Peel Sessions pressed on limited edition red vinyl for Record Store Day. Remastered and available officially for the first time in over 40 years.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eNoisy, chaotic, and defiantly experimental, Swell Maps may not have found commercial success in their time, but their impact on music is undeniable. An inspiration to bands such as R.E.M., Sonic Youth, Dinosaur Jr., Pavement and Nirvana, with Kurt Cobain famously being a fan and often seen sporting a Swell Maps T-Shirt. A democracy within the confines of punk’s anything is possible, members Biggles Books, Jowe Head and brothers Nikki Sudden and Epic Soundtracks—helped shape the landscape of post-punk and DIY music. Now, for the first time in over 40 years, The John Peel Sessions brings together all three of their recordings for John Peel, a figure instrumental in championing their sound.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFormed in the early ’70s and fully realised by 1976, Swell Maps embodied the DIY ethos, launching their own label and self-releasing the jagged, frenetic debut single ‘Read About Seymour’ in 1978. Peel was an early supporter, playing their record as soon as it landed on his desk—a moment the band described as one of disbelief and elation. His regular airplay of their music helped solidify their cult status, and these sessions capture the raw energy, off-kilter melodies, and boundary-pushing creativity that defined them.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCompiled here for Record Store Day, The John Peel Sessions is a vital document of Swell Maps at their most unfiltered—three sessions of unpredictable, exhilarating noise.\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104158359883,"sku":"SWL-MPS-THE-JHN","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/IMG_7850-859494c.webp?v=1776987355"},{"product_id":"tailgunner-living-for-real","title":"Tailgunner - Living for Real","description":"\u003cp\u003eTailgunner formed in 2000. A project of renowned sound technician Mark Coyle who had worked with many of Manchester's elite throughout the 80s including The Stone Roses, Happy Mondays and more notably with Oasis in the early 90s. Mark played a large part in the production of two of the greatest albums of the 90s. Oasis debut Definitely Maybe and Michael Head and The Strands. Living for Real is a compilation of Tailgunner's self titled debut album released in 2000 and the second unreleased album Bread or Blood. These 15 tracks showcase Mark's talent as a musician and songwriter backed by Paul Stacey on bass and Noel Gallagher on drums. “I got kicked out of the band … fired by me best mate.” Noel Gallagher \"A lesson in swampy dirty ass rock 'n' roll.\" Select Magazine \" Tailgunner's spewed swamp riffs and razor chords are the closest thing this side of Neil Young's Crazy Horse to rock music as it was meant to be played.\" The Guardian\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104158458187,"sku":"TLG-LVN-FOR-RL","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/IMG_7852-a1899c4.webp?v=1776987378"},{"product_id":"throwing-muses-live-in-providence-1992","title":"Throwing Muses - Live in Providence, 1992","description":"\u003cp\u003eOn Glow In The Dark Green vinyl. Never before on vinyl, this rare live set from Throwing Muses was recorded at Club Baby Head in their hometown of Providence, Rhode Island in the winter of 1992 before the recording of their ‘Red Heaven’ album. Featuring ‘Catch A Falling Star’, a song never recorded elsewhere, and a phenomenal take on the classics ‘Fish’, ‘Fear’ and ‘Hate My Way’ from their formative years. Catching the band in fine form with a new focus following the departure of Tanya Donelly and original bassist Fred Abong with Kristin Hersh in magnificent form. Tracks: A1 Firepile A2 Snailhead A3 Fish A4 Fear A5 Hate My Way A6 Vic A7 Take B1 Teller B2 Bea B3 Soap and Water B4 Say Goodbye B5 Two Step B6 Catch a Falling Star B7 Mania\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104158523723,"sku":"THR-MSS","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/IMG_7854-d35cc5e.webp?v=1776987391"},{"product_id":"the-who-tommy-ost","title":"The Who - Tommy OST","description":"\u003cp\u003eThis year’s offering for Record Store Day by The Who is the original soundtrack album used in the 1975 Tommy film. The film is based on the original studio album that was released by The Who in 1969. Pete Townshend oversaw the production of this double-LP recording that returned the music to its rock roots and features guests such as Sir Elton John, Ann Margret, Ron Wood and Eric Clapton amongst others This Record Store Day release comes as a 2LP Colour housed in a replica of the original gatefold sleeve. SIDE ONE   Prologue - 1945 Captain Walker \/ It's A Boy Bernie's Holiday Camp 1951 \/ What About the Boy? Amazing Journey Christmas Eyesight To the Blind SIDE TWO   Acid Queen Do You Think It's Alright (1) Cousin Kevin Do You Think It's Alright (2) Fiddle About Do You Think It's Alright (3) Sparks Extra, Extra, Extra Pinball Wizard SIDE THREE   Champagne There's A Doctor Go To the Mirror Tommy Can You Hear Me? Smash The Mirror I'm Free Mother And Son Sensation SIDE FOUR   Miracle Cure Sally Simpson Welcome T.V. Studio Tommy's Holiday Camp We're Not Gonna Take It Listening To You \/ See Me, Feel Me\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104158589259,"sku":"THE-WHO-TMM-OST","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/IMG_7856-509384a.webp?v=1776987410"},{"product_id":"tori-amos-diving-deeper-live","title":"Tori Amos - Diving Deeper Live","description":"\u003cp\u003e4 track LIVE EP not available on the album- also has alternative artwork “After having already moved the entire tour twice due to the Pandemic, I was eventually able to start rehearsing with the band, which for this tour consisted of my musical friend of a million years, MD and bassist Jon Evans, and, for the first time, renowned drummer and percussionist Ash Soan. By the time we set off, Europe had still not fully opened up so we played the UK and Ireland and headed to the States. By the time we finished in late summer 2023 we couldn’t believe how quickly time had passed and how much fun we’d had. Playing with these two beings was one of the greatest experiences I have had on stage. To be able to sit back and jam with the guys was so very special and I truly hope anyone listening will find themselves getting lost in the moment just like we did”\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104158654795,"sku":"TR-MS-DVN-DPR","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/IMG_7858-17b74d1.webp?v=1776987421"},{"product_id":"various-artists-caroline-now","title":"Various Artists - Caroline Now!","description":"\u003cp\u003e25th anniversary edition of the widely acclaimed tribute album celebrating the music of Brian Wilson \u0026amp; The Beach Boys. 24 exclusive tracks feat. The High Llamas, Saint Etienne, Alex Chilton, The Pearlfishers, The Free Design, Norman Blake (Teenage Fanclub), Kim Fowley, Duglas T. Stewart (BMX Bandits), Eric Matthews, Stevie Jackson (Belle \u0026amp; Sebastian), Jad Fair, Peter Thomas Sound Orchestra, and many others. New remaster on 2 LPs in a gatefold sleeve with extensive liner notes and many rare photographs. “Best tribute album ever”. 1000 copies only. Black wax.\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104158753099,"sku":"VRS-RTS-CRL-NOW","price":38.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/IMG_7860-24a50d1.webp?v=1776987432"},{"product_id":"klaus-doldinger-giorgio-moroder-never-ending-story-ost","title":"Klaus Doldinger \u0026 Giorgio Moroder - Never Ending Story OST","description":"\u003cp\u003eLong deleted soundtrack from cult film. For RSD 2025, we are looking at a colour vinyl version of The Never Ending Story soundtrack. The score was composed by Klaus Doldinger (of Germany jazz band Passport) and renowned producer Giorgio Moroder. The lead track The Never Ending Story has vocals by Limahl of Kajagoogoo and Beth Anderson.\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104158818635,"sku":"KLS-DLD-GRG-MRD","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/IMG_7862-f4f8d72.webp?v=1776987066"},{"product_id":"ost-nathan-klein-finn-keane-ost-ludwig","title":"OST \/ Nathan Klein \u0026 Finn Keane - OST: Ludwig","description":"\u003cp\u003eRSD 2025 Exclusive\u003cbr\u003eOST to the Hit Series Starring David Mitchell\u003cbr\u003eTransparent Red Vinyl\u003cbr\u003eSleeve Contains Crossword Puzzle Insert\u003cbr\u003eLimited Numbered Edition \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eReclusive puzzle-setter John ‘Ludwig’ Taylor sees his life of solitude turned upside down when his identical twin brother, James, disappears. In a quest to track James down Ludwig assumes his brother’s identity, but by taking over James’s life, Ludwig is forced to confront his own issues. Unlike Ludwig, James is no hermit. Far from it, in fact. He’s a family man who also just happens to be DCI of Cambridge's busy major investigations team.\u003cbr\u003eThe jaunty Ludwig theme kicks off a small but perfectly formed collection of key cues by composers Nathan Klein and Finn Keane with nods to Beethoven. \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFrom the moment Mark Brotherhood incorporated Beethoven’s 9th as a key element to John’s backstory, and of course the origin of his pen name ‘Ludwig’, scoring the series became a gift to any composer. This musical thread felt so exciting and compelled us to compose an original score using fragments of Beethoven as inspiration.\u003cbr\u003eNathan Klein and Finn Keane\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104158884171,"sku":"OST-NTH-KLN-FNN","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/IMG_7864-033006f.webp?v=1776987082"},{"product_id":"alberto-baldan-bembo-ost-nuda-per-satana","title":"Alberto Baldan Bembo - OST: Nuda per Satana","description":"\u003cp\u003e(transparent green vinyl) *** FIRST EVER VINYL EDITION !!! *** Finally, fifty years after the release of the film in Italian cinemas, Alberto Baldan Bembo's music score for \"Nuda per Satana\" is released for the very first time on vinyl and taken from the mono master tapes of the original session kept in the archives of Edizioni Musicali S.A.A.R. Fifteen tracks were selected with a total duration of approximately 37:35. Maestro Baldan Bembo created an electronic soundtrack introduced by the opening credits theme (A1) with the intervention of diabolical female voices. The atmosphere of terror is represented by suspended synthesized sounds (A2, A3), sometimes more aggressive with piano and percussion (A4, A8, B3) and by macabre themes with female voices (A6, B6). This OST also contains more tonal moments, with a danceable flavor (A5, A7, B1, B2, B5) that break the tension of the story. A record that wants to pay homage to the musical art of Alberto Baldan Bembo and genre Cinema with many fans around the world. “Nuda per Satana” is a horror film directed in 1974 by Luigi Batzella, screenplay by Luigi Batzella, photography by Antonio Maccoppi, editing by Luigi Batzella, music by Alberto Baldan Bembo, starring Rita Calderoni, James Harris, Renato Lupi, Iolanda Mascitti, Barbara Lay, Luigi Antonio Guerra, Augusto Boscardini, Alfredo Pasti, Stelio Candelli, CRC production, General distribution. The protagonist Rita Calderoni said in an interview that the director Luigi Batzella had chosen her for the film after having seen her in the film “Riti, magie nere e segrete orge nel Trecento” by Renato Polselli. From a database it appears that filming of \"Nude for Satan\" began on March 25, 1974 and was carried out at the Monte San Giovanni Campano Castle in Frosinone, Lazio, lasting approximately five weeks. The car crash sequence took the director an entire night of filming. “Nuda per Satana” was released in Italy on 23 October 1974. First ever LP edition exclusive for Record Store Day 2025 on transparent green vinyl with 30x30 cm insert. Liner notes and audio remastered by Claudio Fuiano.\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104158949707,"sku":"LBR-BLD-BMB-OST","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/IMG_7866-af3d7ef.webp?v=1776987093"},{"product_id":"various-artists-over-the-edge-ost","title":"Various Artists - Over The Edge OST","description":"\u003cp\u003eOver the Edge soundtrack captures the rebellious, youthful spirit of the 1979 cult classic film. Packed with influential rock hits. It includes the The Car's “My Best Friend’s Girl” and “Just What I Needed”, both top 40 hits and staples of the emerging New Wave sound. Van Halen’s powerful cover of You Really Got Me and the Ramones' “Teenage Lobotomy” add edgy punk and hard rock flair, making this soundtrack a snapshot of late '70s rock that resonated with a generation. LP Granada Blue Vinyl\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104159048011,"sku":"VRS-RTS-VR-THE","price":29.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/IMG_7868-d189437.webp?v=1776987105"},{"product_id":"high-anxiety-ost-original-soundtrack-mel-brooks-greatest-hits-featuring-the-fabulous-film-scores-of-john-morris","title":"High Anxiety OST - Original Soundtrack \/ Mel Brooks' Greatest Hits Featuring The Fabulous Film Scores Of John Morris","description":"\u003cp\u003eHigh Anxiety is a 1977 American satirical comedy film produced and directed by Mel Brooks, who also plays the lead. The soundtrack is composed by John Morris, longtime collaborator of Mel Brook’s. This 1LP also includes Mel Brook’s Greatest Hits from his other movies like The Producers, Twelve Chairs, Blazing Saddles, Twelve Chairs, Silent Movie and Young Frankenstein.\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104159146315,"sku":"HGH-NXT-OST-RGN","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/IMG_7870.webp?v=1776987126"},{"product_id":"mitch-ira-yuspeth-7-doors-of-death-original-motion-picture-soundtrack","title":"Mitch \u0026 Ira Yuspeth - 7 DOORS OF DEATH - original motion picture soundtrack","description":"\u003cp\u003e\"Soundtrack for the US version of the Lucio Fulci horror movie classic, lovingly remastered from the original stereo master tapes.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eWhat makes this title important?\u003cbr\u003eRare alternate US rescore of the Italian cult classic, created by electronic music pioneers.\"\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104159211851,"sku":"MTC-IRA-YSP-7","price":77.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/IMG_7874.webp?v=1776987147"},{"product_id":"budy-maglione-cannibal-ferox-original-motion-picture-soundtrack","title":"Budy-Maglione - CANNIBAL FEROX - original motion picture soundtrack","description":"\u003cp\u003e\"Soundtrack for the 1981 Italian horror movie classic, remastered from the orginal stereo master tapes for the very first time. 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This 7-inch has been fetching around £50 on the secondhand market, making this the first official reissue a must-have for any discerning soul collector. Released for Record Store Day 2025 on the Selector Series label and comes housed in a specially designed company sleeve, capturing essences of the original release while adding a fresh touch. A timeless groove that bridges soul, funk, and jazz influences, don’t miss!\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104159506763,"sku":"BRK-PPL-PC-AND","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/5LBb9A1zKqA0DSiTYSEYLCb7R-QYrBj4dX3wi8oPSDY-1.webp?v=1776987609"},{"product_id":"de-la-soul-bigger-respect","title":"De La Soul - Bigger \/ Respect","description":"\u003cp\u003eNot one, but TWO PREVIOUSLY UNRELEASED TRACKS from the De La Soul vaults!\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e“Bigger” and “Respect” were originally recorded in 2004 during the studio sessions for The Grind Date album, but never made it through to the final finished version we know today. Now, as part of the 20th anniversary celebrations of that classic album, the band have unearthed these two awesome tracks from the archives. Presented here for the very first time on DJ friendly double-7” vinyl, these two newly discovered tracks are paired with instrumental versions of “Rock Co.Kane Flow” and “The Future”.\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104159572299,"sku":"DE-LA-SL-BGG","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/gx3sWcsqvy-h-NGEBU1Q-K9UKo-koLbdTyXKs1u9Jbs-1.webp?v=1776987616"},{"product_id":"feet-cant-get-in-changing-my-mind-again","title":"Feet - CAN'T GET IN\/CHANGING MY MIND AGAIN","description":"\u003cp\u003eThis is a Record Store Day 2025 release.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e7\" Single \u003c\/p\u003e\u003cp\u003eTracklist:\u003c\/p\u003e\u003col type=\"1\"\u003e\n\u003cli\u003eCan't Get In\u003c\/li\u003e\n\u003cli\u003eChanged My Mind Again\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104159637835,"sku":"FT-CAN-T-GET","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/6ffae539-e353-4a62-862f-3f5404aba40d_555x555..webp?v=1776987627"},{"product_id":"fruit-bats-anais-mitchell-as-i-rise-b-w-grace-cathedral-hill","title":"Fruit Bats \/ Anaïs Mitchell - As I Rise b\/w Grace Cathedral Hill","description":"\u003cp\u003eTwo Decemberists covers by two renowned artists who also happen to be members of Bonny Light Horseman. 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A record that explores themes of stalking, sexual harassment, anxiety and the female experience, word of mouth has only grown since its release and despite now widely being seen as a classic of its time, it’s somehow evaded a vinyl pressing, much to the chagrin of fans. So, in great news, 4AD are finally righting this on Record Store Day 2025 with a special double vinyl pressing to celebrate the album’s 30th Anniversary.\u003cbr\u003eA record that is as vital a statement today as when first released, Lisa is unflinching and unbowed throughout Geek The Girl, giving a platform to the silenced, or as she says, “people who are stuck but want to go somewhere else.” Writing with a raw, emotional honesty - sometimes from a kowtowing perspective - she holds little back. An incredible body of work, the atmosphere is heightened by a jaunting violin sound and her use of (with permission and after much deliberation) of a real 911 call in which a woman confronts an intruder in her own home. 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The sound of wind over cloud-drenched mountains. Birdsong and Andean pipes rise, and a band of white-clad men strike up instruments – quena flutes, zampona panpipes, ocarinas, a grand piano – scattered amongst the ruins of an Incan city, singing of death, struggle and rebirth. Then come rock drums, guitar solos and the alien wails of a minimoog, conjuring a psychedelic tempest, as if the old spirits were singing too.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe people of Chile, watching at home in October 1981 on a Catholic TV channel approved by their military dictatorship, had rarely seen anything so free. Here were Los Jaivas - the country’s most popular band, living abroad since 1973 – performing an evocative and inventive new album called Alturas de Macchu Picchu on a site deeply symbolic of Latin America’s shared folk culture. The words they sang, too, resonated with significance. The album’s lyrics were taken from a poem by Chile’s Nobel Prize winning poet Pablo Neruda called The Heights of Macchu Picchu, inspired by his travels to Peru in 1943 and included in his epic 1950 book Canto General, a collection of poems striking at the heart of indigenous cultures across South America. These were stirring words of pride, love and despair, seeped from the stone of lost civilisations and ancient landscapes. Words mourning the human loss of Macchu Picchu but summoning its forgotten peoples to rise from the ashes, find voice in the music and grasp control of their own destiny. The film’s presentation smacked of an Andean folk rock take on Pink Floyd’s Live at Pompeii, but the message struck far deeper.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e“It’s almost like a Wagner show for Latin America,” says Jorge Larrain of the Transamericas label, who has been reissuing Los Jaivas’ music in South America since 2016. “It had film, literature and rock music. The music is kind of tragic and sad but the beauty of it all is a unifying moment for Chile and a very hopeful one.” In the wake of the programme, and full performances of the album in Lima, Peru and across Argentina, Alturas de Macchu Picchu took on a legendary standing in Chilean music; most of its tracks were major hits and the record came to be considered a national treasure and a definitive work in the country’s folk-rock lineage.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eLos Jaivas’ road to Macchu Picchu, however, was almost as tangled as Neruda’s. When they formed as the High Bass in 1963 around the family fulcrum of brothers Eduardo, Claudio and Gabriel Parra, together with their childhood friends Gato Alquinta and Mario Mutis, they played bossa novas and boleros at teenage parties. But as the sounds of psychedelia seeped into Chile in the late Sixties through the records arriving in the port of their hometown of Valparaiso – English acid folk; the cosmic country of Gram Parsons and The Byrds; psych jam groups like the Grateful Dead; Fairport Convention, Pink Floyd and The Beatles – Los Jaivas, as they renamed themselves, evolved around 1970 into an improvisational, experimental progressive group blending traditional Andean folk sounds and instruments with rock influences.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e“Through improvisation we were finding our own language,” says pianist Claudio Parra. “We weren’t declared a rock band but through improvisation we found something that felt natural to us, the music from Latin America.” And this unique Los Jaivas language quickly became Chile’s second mother tongue. Following a 1971 debut album El Volantin, largely constructed from excerpts of spontaneous, free-wheeling and avant-garde improvisations, their first single made the band household names in 1972 thanks to its B-side “Todos Juntos” (“All Together”), a rousing psych folk espousing a message of unity: “If this world is one and for everyone, we shall all live together”.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e“We had a close relationship with native Americans and did a song called ‘Indian Brother’ [‘Indio Hermano’, 1972] that talks about freeing ourselves through Indigenous cosmovisions,” Claudio says. “That could be looked at as a political statement but it was more in the Latin American side, talking about our ancestors and our original cultures but not really political in the sense of what was going on right then. We were friends with a lot of bands that did make political statements. We didn’t, but what is a political statement? It’s a way of living.”\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eOn tour in Argentina, Los Jaivas saw the winds of change blowing against them back home in Chile, when the military dictatorship of General Pinochet swept to power in a coup in 1973, and decided not to return. There followed four productive years based in Argentina, recording and releasing albums including Los Jaivas (El Indio) (1975) and Cancion Del Sur (1977), before Argentina’s own military coup drove them to Paris via Biarritz in 1977, with the help of the international arms of their label EMI and and some friends who helped them to settle. Hence, in a Parisian mansion with its own parklands attached and a live-in studio technician always on hand, they set up a vibrant musical hothouse which would foster their greatest work.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e“The salon of the house, there was a rehearsal room-slash-studio there,” says Claudio. “That was a very productive and creative time. We played all the time. Sometimes just one, sometimes two, sometimes everyone together. There was always some music on. Our kids grew up there and were also playing.”\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFrom here, Los Jaivas forged musical links with the traditional prog folk groups of France, especially Celtic musicians from Brittany, with the rock-and-roots players of Spain and with the Dutch psych scene – “Amsterdam was paradise to us back then,” Claudio smiles. And it was while they were here that a Peruvian producer called Daniel Camino Diez Canseco suggested the idea of them recording a new album based around Neruda’s poem, then filming a performance of it in the ruins at Macchu Picchu itself.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eBesides being a renowned poet, Neruda had been an outspoken leftist politician before the coup, and his death from cancer soon afterwards - as he prepared to go into exile from Chile - had long been treated as suspicious by critics of the regime. Hence Los Jaivas saw the opportunity to use his poem in their music, being Macchu Picchu a symbol of the common Latin-American homeland. But the band had never visited Macchu Picchu before. “We’d seen photographs but we’d never been there,” Claudio says. “We didn’t know the place. We knew Macchu Picchu through Neruda. Pablo Neruda brings life to Macchu Picchu in the poem because he envisions what people were doing, what people were suffering and paints a picture of how it was. When Macchu Picchu wasn’t really touristic, he was there.”\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eNeruda painted the ruined city as a common Latin American homeland, however, and Los Jaivas were immediately inspired. The birdsong which opens the atmospheric first track “Del Aire Al Aire” was recorded in the mansion, and the floating pan pipes and looming guitar of the piece set the tone for the rest of the recording. On tour, band members would make notes for musical ideas on copies of the poem, then try them out in soundchecks. “When we felt we had enough musical pieces to put them together we went to the house and started seriously working on it,” Claudio says. “It was very fast.”\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eOne of the first tracks to come together was “La Poderosa Muerte” (“The Mighty Death”), a sprawling eleven-minute track full of masterful improvisations and dynamic drama, opened with a series of breeze-riding flute motifs and driven by Claudio’s piano. Through the rising squall of psych rock sound and Minimoog effects, singer Eduardo Alquinta wails lyrics collaged from the poem’s various musings on mortality and the demise of the Incas, literally infused with sulphur. For when his voice failed him, the band took advice from the assistant to a famous French singer, called a local physician and had Alquinta injected with sulphur to help him complete the song.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e“La Poderosa…”’s ponderous second half, conjuring the ominous chorales and funereal pace of ancient ceremonial processions, climaxed in an austere, Floyd-like wig-out and a sonic explosion, leaving a breathless black space into which “Amor Americano” (“American Love”) could sidle. A jubilant celebration of traditional Andean modes and rhythms delivered with all the invention of avant prog, it invites the listener to appreciate South American culture past and present: “The dead kingdom lives still,” Alquinta sings.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e“Aguila Sideral” (“Sidereal Eagle”) opens side two with an entrancing, cosmic, eagle’s-eye-view flight over this primaeval landscape, from the earth of the “Andean serpent” to the mountains’ “snow-capped teeth”. Then austere flutes usher in “Antigua America” (“Ancient America”), a mournful piece reflecting on humanity’s absence in the fall of the Incan empire, growing more pace and power as Claudio and Eduardo embark on a strident piano duel.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe album closes with one of Chilean music’s most popular passages. With its more traditional song format and its Venezuelan joropo style giving it an irrepressible carnival feel, “Sube a Nacer Onmigo Hermano” (“Arise to Birth With Me Brother”) and its choral piano coda “Final” make for a bristling climax of hope, endurance and rebirth which struck a chord with the Chilean people. “Arise to birth with me, brother,” Los Jaivas invited both the dead of Macchu Picchu and their downtrodden homeland, “sharpen the knives you’d locked away, put them on my breast and into my hands…I come to speak through your dead mouths”.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eHence, Los Jaivas arriving at the ruins themselves to perform the album was steeped in significance. Despite filming in areas cut off from tourists, it was a struggle to pull off. “The main challenge was how we took the piano,” Claudio remembers. “At that time the gates of Macchu Picchu were the original doors and the piano didn’t fit. We had to hire a helicopter and the helicopter took it to the top of the mountain.” But, once in place, the band fully immersed themselves in the spirit of the place. “We left the instruments there when we were recording at night,” says Claudio, “and I used to go to the piano to play at night. I had this amazing experience of playing piano at night in Macchu Picchu.”\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAn experience shared by all who heard the record. For its beauty, thrill and invention, its marriage of troubled past and hopeful present, Alturas de Macchu Picchu has become one of the most seminal albums in South America - “an icon for Andean culture,” Larrain says. “It’s a fundamental piece in Chilean music,” says Claudio, “an important part of the history of recorded music here. 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Side 2 of the E.P. reconnects Marianne to her folk background with ‘Three Kinsmen Bold’, a traditional song learned from her father Glynn Faithfull who had been a formative influence on her folk recordings, and a new interpretation of ‘She Moved Thu’ The Fair’, a song Marianne has performed throughout her life, and which she first recorded in 1966. Marianne’s recording career now stretches over 60 years: an amazing achievement. “It’s a good time to look back,” she agrees. “I am enjoying this period of reflection – it actually helps me move forward.”\u003cbr\u003eThe E.P. is produced by Head with Rob Ellis, Oscar Dunbar and Andrew Batt, who also contributes sleevenotes. 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Produced by King Crimson's Robert Fripp, Little Red Record includes standout tracks such as \"Gloria Gloom\" and \"Marchides,\" which combine witty lyrics with intricate musicianship. Matching Mole's Little Red Record is a classic of the Canterbury scene, representing the creative and boundary-pushing spirit of 1970s progressive rock. The album is being re-released for Record Store Day in a very limited edition including three outtakes, the song Mutter and an etched D-side. 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Four more singles were released from the album including “Plan B” (#29 US Hot 100, #7 US Rap\/Hip-Hop - certified gold), “Pressurelicious” (#55 US Hot 100, #14 US R\u0026amp;B\/Hip-Hop), “Her” (#62 US Hot 100, #19 US R\u0026amp;B\/Hip-Hop - certified gold), and “Ungrateful” (#82 US Hot 100, #29 R\u0026amp;B\/Hip-Hop). This will be the first time “Traumazine” will be made available on vinyl.","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104161079627,"sku":"MGN-TH-STL-TRM","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/IMG_7782-34a6c64.webp?v=1776988827"},{"product_id":"melanie-c-reason","title":"Melanie C - Reason","description":"\u003cp\u003eReason is the second solo album by Singer\/Songwriter Melanie C. 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From the uncomfortable subject matter of domestic abuse (Bruises) poison relationships (Love yourself) to the more uplifting Llawenydd (Joy) and recent single 'Santa Cruz', inspired by a sunny Californian road trip. \u003cbr\u003e\u003c\/p\u003e\u003cp\u003e'5 Star t*ts' (With guest guitar from Pendulum's Peredur Ap Gwynedd) refers to sexism taken from singer Andrea's personal experience when during a single review in the noughties music press, members of a very well known band, said they would give the single an extra star if she had big tits. To add insult to injury, that music paper then printed the quotes on its front page.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eRecorded in their own homes in both Wales and Scotland, Second Wind has been both a learning experience and labour of love for the band. \u003cbr\u003eMixed by the legendary Welsh producer Gorwel Owen (Super Furry Animals, Gorkys Zygotic Mwnci, Datbygu, Gwenno etc) the band kept their friends near.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eHailing from the small tourist village of Betws-y-Coed in Eryri, Wales, this bi-lingual singing band were huge favourites of the late Radio One DJ John Peel who the band recorded 11 sessions and outside broadcasts for. \u003cbr\u003eTheir 2024 BBC sessions release, which featured sleeve notes from BBC Radio DJ Huw Stephens, gained a new audience for the band and with a UK spring tour and summer European festivals scheduled for 2025, it looks like being a very busy year\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104161210699,"sku":"MLY-SCN-WND","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/IMG_7786-aa01b3c.webp?v=1776987494"},{"product_id":"michael-chapman-who-s-this-yorkshire-guy-live-in-brighton-2015","title":"Michael Chapman - Who’s This Yorkshire Guy? (Live In Brighton, 2015)","description":"\u003cp\u003e1000 copies pressed. Rare unreleased live set from the late, great guitarist and singer songwriter who circumnavigated folk, jazz, country, blues and progressive rock’s nuances. Inspired by guitar stylist John Fahey, his impromptu performances were adored by everyone from Bowie and Elton John to Thurston Moore, Bill Callahan and Lucinda Williams. An original favourite of Peel’s Perfumed Garden in the 70s, a contemporary of Bert Jansch and John Martyn, his gritty weathered vocals and infectious playing resulted in a cult revival in the 2010’s from where this intimate recording took place. “A legend the likes of which don’t seem to be written much any more.” The Guardian. Tracks: A1. Intro\/ It Ain't So. A2. Dewsbury Road\/ That Time of Night. A3. Soulful Lady. A4. The Mallard. B1. Trains. B2. La Madrugada.\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104161276235,"sku":"XN-MCH-CHP-WHS","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/IMG_7788-2d14d63.webp?v=1776987506"},{"product_id":"the-mission-neverland-30th-anniversary-edition-140g-translucent-red-and-translucent-yellow-vinyl-rsd-2025","title":"The Mission - Neverland (30th Anniversary Edition) (140g Translucent Red and Translucent Yellow vinyl) (RSD 2025)","description":"\u003cp\u003eNeverland, the fifth studio album by English gothic rock band The Mission, originally released in 1995 by Equator Records, is celebrating its 30th anniversary with a special edition for Record Store Day 2025. This special release is pressed on double 140g red \u0026amp; yellow vinyl, housed in single wallets, and includes a complete set of lyrics. 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Sly Stone, then a rising producer and arranger, helped shape the sound of many Bay area artists during the early-mid 60s. The partnership between Sly Stone and The Mojo Men was a key chapter in both of their stories.\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104162357579,"sku":"MJ-MEN-THE-DNC","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/IMG_7792-1e67f7c.webp?v=1776987463"},{"product_id":"morphine-bootleg-detroit","title":"Morphine - Bootleg Detroit","description":"\u003cp\u003eMorphine's Bootleg Detroit, recorded live at St. Andrew’s Hall during their legendary 1994 Cure for Pain tour, available for the first time on vinyl. 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The album features the outstanding talents of keyboardists extraordinaire Dave Stewart and Alan Gowen, virtuoso drummer and lyricist Pip Pyle, vocalist Amanda Parsons, guitarist Phil Miller and bassist Neil Murray. The music is essentially a fusion of contemporary classical sounds expertly performed by top-drawer rock and modern jazz players, aspiring to the highest level of musical curiosity and creativity. \u003cbr\u003eThis half-speed mastered edition offers an unprecedented clarity and depth to the album’s already rich sound. The intricate details of each composition will shine, allowing long-time fans and newcomers alike to appreciate the technical prowess and inventive spirit that made National Health a Canterbury Scene milestone. 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This brand new remix has never been released on vinyl before and comes in an impressive gatefold sleeve.\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":57104162652491,"sku":"NKT-RMM-THE-FTR","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/IMG_7798-39e3100.webp?v=1776987221"},{"product_id":"nick-lowe-los-straitjackets-outdoor-safari","title":"Nick Lowe \u0026 Los Straitjackets - Outdoor Safari","description":"\u003cp\u003eNick Lowe is joined by his longtime collaborators Los Straitjackets for a blistering career-spanning set, covering Nick's early days at Stiff Records all the way to songs from his brand new album Indoor Safari. The songs are collected from Nick \u0026amp; Los Straitjackets performances on the road with Elvis Costello in 2022. This is the first non-holiday Nick Lowe live album to be physically released on vinyl in his storied career. 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By 1994, they were the quartet of Meriel Barham (vocals \/ guitar), Chris Cooper (drums), Graeme Naysmith (guitar) and Colleen Browne (bassist), who having just left The Heart Throbs replaced founding member Ian Masters who had departed the band to form Spoonfed Hybrid with AC Temple’s Chris Trout. Primed by the brilliant single “Fine Friend” (a song adapted from 1981’s “Poison in the Airwaves” by Scottish band Persian Rugs), third album Slow Buildings shows the band still venturing forward - this time, keeping the experimentation and guitar fuzz of their early records whilst opening-up their songs so Meriel’s vocals could hit new, pop heights. As with the 30th anniversary reissues of their previous two albums, this special pressing sees this long out of print record being remastered and expanded to include a wealth of bonus material that’s sure to delight fans. Working with mastering engineer Kevin Vanbergen, this new edition runs over two discs with the album being packaged with the Fine Friend EP and a great selection of previously unheard tracks and demos as handpicked by the band. This special vinyl pressing is being pressed on petrol blue vinyl, housed in a gatefold sleeve designed by Timothy O’Donnell and Roy Burns III, using the original art photography by Dominic Davies. A record that stands the test of time 30 years on, Slow Buildings is well worthy of reappraisal. 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