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The best things in life may be free, but childhood and corporate entertainment products are completely intertwined.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eThe obsession with advertising and consumer technology informs the sonic make-up of the music as a source of raw material out of which the foundations of the tracks were built. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eSpeaking on this impetus for the album Robbie Chater says “\u003c\/span\u003e\u003cspan\u003e“It seems to be bound up with the nature of sampling itself. Once we start digging through forgotten sounds and uncovering their meaning, almost inevitably you get sent down a path of discovery.  Every forgotten sound opens another door. And that’s what I love - feeling like a kid again. Diving into this whole world of advertising, looking at how jingles get made, it’s the kind of thing that keeps me interested in sampling as a process, an art form.” \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eNo Bad Memories\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e includes features from \u003cb\u003eJamie xx, Karen O, Nikki Nair, Jessy Lanza, Prentiss \u003c\/b\u003e+ many more\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003e\u003cu\u003eVINYL TRACKLIST\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSIDE A:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"font-weight: 400;\"\u003eBd-R \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eTogether (feat. Nikki Nair, Jessy Lanza \u0026amp; Prentiss)  \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eXerox Altalink B8055 (feat. Ryoji Ikeda) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eI Give Everything I Have 2 U (feat. Loaded Honey) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eEvery Single Weekend (feat. Jamie xx)  \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eFriends Forever \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eBlue Shadows (feat. Karen O)  \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eLogoland  \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSIDE B:\u003c\/strong\u003e  \u003c\/p\u003e\n\u003col start=\"9\"\u003e\n\u003cli style=\"font-weight: 400;\"\u003eLike Clockwork \/ Hit By Traffic (feat. Khadija Al Hanafi) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAll The Time In The World (feat. Rivers Cuomo, Vegyn \u0026amp; Baby Marlboro)  \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e3D Glasses Not Included \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eVida (feat. Erick the Architect) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eParadise Island (feat. Khadija Al Hanafi \u0026amp; Mike Patton) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eUnicorn Quest™ (feat. Ryoji Ikeda) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eFar Away (feat. John Glacier \u0026amp; Khadija Al Hanafi)  \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSIDE C:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"16\"\u003e\n\u003cli style=\"font-weight: 400;\"\u003eOur Love Is Alive (feat. Suzanne Ciani \u0026amp; Barry Can't Swim) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eEvergreen Altar (feat. Vegyn) * EXCLUSIVE TO VINYL, CD, CASSETTE\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eCan't Get Over Losing You (feat. Portraits of Tracy) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eWatch Out! It's Cloudy (feat. Khadija Al Hanafi) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eHighfield (feat. Panda Bear) \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSIDE D:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"21\"\u003e\n\u003cli style=\"font-weight: 400;\"\u003eUnder Yr Power \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eSUV Heaven (feat. Khadija Al Hanafi) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eOne More Fantasy (feat. Carly Simon) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eBreak Out Corporate Tag (feat. Ryoji Ikeda \u0026amp; Portraits Of Tracy) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eMagic Wand (feat. Barry Can't Swim) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eSuperfun!™ TV Spot (feat. Mike Patton) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eNo Bad Memories  \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eThe Pavements Light (feat. Haruomi Hosono) \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":58112287932747,"sku":null,"price":36.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/NBM_BLUELP_Transparent_Shadow__V2.png?v=1786535322"},{"product_id":"avalanches-no-bad-memories-out-16-10yellowvinyl","title":"Avalanches - No Bad Memories (Out 16\/10)(YellowVinyl)","description":"\u003cp\u003e\u003cspan\u003eThe \u003cspan class=\"markbkaucdgbz\"\u003eAvalanches\u003c\/span\u003e highly anticipated fourth album, 'No Bad Memories’, out Oct 16 2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThe new album is inspired by the simultaneously magical and insidious ways that advertising and name-brand technology wraps itself around our memories. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eIt’s an ambivalent ode to the nostalgic pull of commercial jingles and proprietary start-up sounds. The best things in life may be free, but childhood and corporate entertainment products are completely intertwined.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eThe obsession with advertising and consumer technology informs the sonic make-up of the music as a source of raw material out of which the foundations of the tracks were built. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eSpeaking on this impetus for the album Robbie Chater says “\u003c\/span\u003e\u003cspan\u003e“It seems to be bound up with the nature of sampling itself. Once we start digging through forgotten sounds and uncovering their meaning, almost inevitably you get sent down a path of discovery.  Every forgotten sound opens another door. And that’s what I love - feeling like a kid again. Diving into this whole world of advertising, looking at how jingles get made, it’s the kind of thing that keeps me interested in sampling as a process, an art form.” \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eNo Bad Memories\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e includes features from \u003cb\u003eJamie xx, Karen O, Nikki Nair, Jessy Lanza, Prentiss \u003c\/b\u003e+ many more\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003e\u003cu\u003eVINYL TRACKLIST\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSIDE A:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"font-weight: 400;\"\u003eBd-R \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eTogether (feat. Nikki Nair, Jessy Lanza \u0026amp; Prentiss)  \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eXerox Altalink B8055 (feat. Ryoji Ikeda) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eI Give Everything I Have 2 U (feat. Loaded Honey) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eEvery Single Weekend (feat. Jamie xx)  \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eFriends Forever \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eBlue Shadows (feat. Karen O)  \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eLogoland  \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSIDE B:\u003c\/strong\u003e  \u003c\/p\u003e\n\u003col start=\"9\"\u003e\n\u003cli style=\"font-weight: 400;\"\u003eLike Clockwork \/ Hit By Traffic (feat. Khadija Al Hanafi) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAll The Time In The World (feat. Rivers Cuomo, Vegyn \u0026amp; Baby Marlboro)  \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e3D Glasses Not Included \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eVida (feat. Erick the Architect) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eParadise Island (feat. Khadija Al Hanafi \u0026amp; Mike Patton) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eUnicorn Quest™ (feat. Ryoji Ikeda) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eFar Away (feat. John Glacier \u0026amp; Khadija Al Hanafi)  \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSIDE C:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"16\"\u003e\n\u003cli style=\"font-weight: 400;\"\u003eOur Love Is Alive (feat. Suzanne Ciani \u0026amp; Barry Can't Swim) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eEvergreen Altar (feat. Vegyn) * EXCLUSIVE TO VINYL, CD, CASSETTE\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eCan't Get Over Losing You (feat. Portraits of Tracy) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eWatch Out! It's Cloudy (feat. Khadija Al Hanafi) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eHighfield (feat. Panda Bear) \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSIDE D:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"21\"\u003e\n\u003cli style=\"font-weight: 400;\"\u003eUnder Yr Power \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eSUV Heaven (feat. Khadija Al Hanafi) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eOne More Fantasy (feat. Carly Simon) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eBreak Out Corporate Tag (feat. Ryoji Ikeda \u0026amp; Portraits Of Tracy) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eMagic Wand (feat. Barry Can't Swim) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eSuperfun!™ TV Spot (feat. Mike Patton) \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eNo Bad Memories  \u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eThe Pavements Light (feat. Haruomi Hosono) \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":58112343179595,"sku":null,"price":36.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/NBM_YELLOWLP_Transparent_Shadow.png?v=1786535533"},{"product_id":"teenage-fanclub-do-not-dare-to-dream-opaque-orange-vinylout-9-10","title":"Teenage Fanclub - Do Not Dare to Dream (Opaque Orange Vinyl)(Out 9\/10)","description":"\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"600\" id=\"x_templateContainer\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd align=\"center\" valign=\"top\"\u003e\n\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"600\" id=\"x_templateBody\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"x_bodyContainer\"\u003e\n\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\" class=\"x_mcnTextBlock\"\u003e\n\u003ctbody class=\"x_mcnTextBlockOuter\"\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"x_mcnTextBlockInner\"\u003e\n\u003ctable align=\"left\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\" class=\"x_mcnTextContentContainer\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"x_mcnTextContent\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eTeenage Fanclub’s Do Not Dare To Dream takes its name from Norman Blake’s “I Do Not Dare To Dream,” an infectious anthemic song driven by ringing acoustic guitars, joined at the end by duelling electric guitars that wrap around each other like a reassuring hug. Blake says that the title is meant to mock those memes that urge people to “dare to dream,” which to him are “kind of ridiculous... I don’t think the world works that way.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eTeenage Fanclub’s 13th album is full of songs that are calmly resolute, taking stock of the fraught state of the world without succumbing to despair. Blake’s warm, organ washed midtempo ballad “Day In The Sun” and Raymond McGinley’s “Over And Over” both speak to how everyone can find a renewed sense of purpose by opening their hearts. “We can still be cheerful and optimistic in the face of things not being great,” McGinley says. “My parents’ generation lived in Glasgow when there were bombs falling out of the sky. And here we are, however many years later. Things change.” Blake and McGinley are joined on Do Not Dare To Dream by their bandmates Euros Childs (keyboards and vocals), Francis Macdonald (drums) and David McGowan (bass). This quintet has played together long enough now that neither of Teenage Fanclub’s principal songwriters and guitarists feel the need to fuss over their songs or work up arrangements before they enter the studio. They’d rather wait for the rest of the group’s input.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe initial sessions took place over 14 days at Black Bay Studio, in the township of Kirkibost, on the Scottish Outer Hebrides island of Great Bernera. Teenage Fanclub likes to take advantage of what a studio has available to use, and at Black Bay the band found a Domus church organ (prominently heard on many songs, including “Over And Over”) and a lot of different synthesizers. Euros Childs on keys brings a lot of sonic colour on this record, from the ’70s sound of the Solina String Ensemble on “Tomorrow People” to the Mellotron flutes on McGinley’s gently reflective “Take Time”, and across every other song. Add to that the musicality of David McGowan’s counterpoint melodies on bass and Francis Macdonald playing so freely and expressively on the drums and you can hear how it all adds up to the confident collective identity of the band that McGinley was talking about.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAs longtime fans are likely aware, Teenage Fanclub record each album in a new place so that they can let its unique atmosphere influence the music. Great Bernera is their most remote recording location yet, which helped the band focus on the work but also put them in a place of awe, surrounded as they were by the crashing sea and ancient ruins. Blake recalls “not too far from the studio, on the adjacent island of Lewis, there’s an ancient monument called the Callanish Stones, which is older than Stonehenge. The whole area is kind of magical.” McGinley expands, “it’s a place where they had a lot of Neolithic monuments. Later on it was a Viking area. And on our time off, we’d go see these things which are like, I don’t know, 5000 years old. Some of us went for a walk every morning, ‘round over the hills and stuff. I think all that plays into the feeling on the record, being in this kind of timeless landscape with connections to unknown civilizations from a long, long time ago. All those things that make you feel small, but in a good way.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe result is a collection of songs suffused with the proper perspective of musicians who have been around for a while, recorded in a place that has been around even longer. As Blake puts it, “I think what happens is you just move from one thing into the next and before you know it, 30 years have passed. McGinley adds: “Yeah, it’s been a while since we started doing this thing we do, but to us it feels like no time at all. In the place where we made the record people would have been singing thousands of years ago. Life is short, but music is eternal.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eSIDE A\u003c\/div\u003e\n\u003cdiv\u003e1. There Was You\u003c\/div\u003e\n\u003cdiv\u003e2. Tomorrow People\u003c\/div\u003e\n\u003cdiv\u003e3. Over And Over\u003c\/div\u003e\n\u003cdiv\u003e4. Be With You Tonight\u003c\/div\u003e\n\u003cdiv\u003e5. The Same Air\u003c\/div\u003e\n\u003cdiv\u003eSIDE B\u003c\/div\u003e\n\u003cdiv\u003e6. I Do Not Dare To Dream\u003c\/div\u003e\n\u003cdiv\u003e7. Take Time\u003c\/div\u003e\n\u003cdiv\u003e8. Day In The Sun\u003c\/div\u003e\n\u003cdiv\u003e9. Somewhere To Land\u003c\/div\u003e\n\u003cdiv\u003e10. 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Produced by James Ford, it is the follow-up to 2024’s UK platinum-certified Romance – and the sound of a band moving decisively away from the guitar language of their early records into something colder, stranger and more synthetic. It arrives today alongside lead single “Marianne” and its accompanying video, directed by Dave Meyers.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eDopamine Chamber arrives like a constellation behind undulating sighs of smog: potent balladry, anthemic melodies glinting through the murk. In a world tipping towards collapse, it asks how pleasure mutates amid peril—and what our pursuit of it reveals about us. Across the album, Fontaines D.C. – Grian Chatten, Carlos O’Connell, Conor Curley, Conor Deegan and Tom Coll – move between gratification and dread until the two meld together, reflecting the overwhelm of artificial intelligence, environmental collapse and political violence all riding the same algorithms as memes, jokes and celebrity culture. “The album itself is a dopamine chamber,” says Chatten. “You step inside and we test these different mind- or mood-altering pieces of music on you.”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWhere Romance held its tension in balance, this record tips it. “I think Romance was maybe 60 per cent human and 40 per cent corrupted by automation, and a loss of feeling,” says Chatten, who spent time among the faded grandeur of Venice, Vienna and Sicily in search of lyrical inspiration. “This one feels more like 60 per cent corrupted — the mask is wearing the face a little more.” He resisted any pull towards easy optimism: “I felt it would be more powerful to leave the hope out and reflect the ugliness honestly. 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Kamasi Washington)\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":58285991035211,"sku":null,"price":38.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/CargoRecords_242115711252949_6635585266811520939_ErykahBadu_TheAlchemist-BeforetheWorldBlows.png?v=1787918894"},{"product_id":"soft-cell-danceteria","title":"Soft Cell - Danceteria (Coloured Vinyl)(Out 25\/9)","description":"\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eThe final album is both a love letter to early 80s New York and a tribute to the late, great Dave Ball.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; color: black; background: white;\"\u003eElectronic music legends \u003cb\u003eSoft Cell\u003c\/b\u003e, aka singer and frontman \u003cb\u003eMarc Almond\u003c\/b\u003e and multi-instrumentalist and producer \u003cb\u003eDave Ball,\u003c\/b\u003e are set to release \u003cb\u003e'Danceteria'\u003c\/b\u003e, their sixth and final studio album. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; color: black; background: white;\"\u003e'Danceteria' the album is a big, classy and playful farewell to 47 years of Marc and Dave making music as Soft Cell and features career-defining performances from our electronic pop legends. Reminiscent of \u003cb\u003eSparks\u003c\/b\u003e and \u003cb\u003ePet Shop Boys \u003c\/b\u003eand with\u003cb\u003e \u003c\/b\u003elyrics \u003cb\u003eLady Gaga \u003c\/b\u003ewould kill for, the album takes you on a vivid journey through a day in early 80s New York, bouncing round the clock from night to bleary daybreak and headlong back into the club.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; color: black; background: white;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; color: black; background: white;\"\u003eMarc provides an initial snapshot into the album:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; color: black; background: white;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; color: black; background: white;\"\u003e\"Danceteria is a love letter to New York in the early 80's.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eThe time we spent in New York - where we recorded our first 3 albums - shaped us both as artists and people. To celebrate this period is a fitting farewell to Dave Ball and the final Soft Cell studio album.\"\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; color: black; background: white;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; color: black; background: white;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; color: black; background: white;\"\u003e'Danceteria' is equally a tribute to the late, great Dave Ball. The final album is one of the last bodies of work Ball co-wrote and produced before his sad, untimely passing on the 22nd of October 2025. Almond led the obituaries, describing Dave as a \u003ci\u003e\"brilliant musical genius\". \u003c\/i\u003eThe world's media followed, hailing him as an electronic music pioneer, plus music stars including \u003cb\u003eNeil Tennant\u003c\/b\u003e and \u003cb\u003eChris Lowe\u003c\/b\u003e from the \u003cb\u003ePet Shop Boys, Mute Records' Daniel Miller\u003c\/b\u003e,\u003cb\u003e Cabaret Voltaire\u003c\/b\u003e and \u003cb\u003eRichard Norris\u003c\/b\u003e from Dave's techno duo \u003cb\u003eThe Grid\u003c\/b\u003e contributing an outpouring of elegiac praise. Dave finished 'Danceteria' two days before he passed away and it is in full tribute to him that the album release went ahead as planned. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; color: black; background: white;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; color: black; background: white;\"\u003eIt is also because of Dave's passing that 'Danceteria' simply has to be the last Soft Cell album, as Marc explains:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; background: white;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; color: black; background: white;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; color: #26282a;\"\u003e'There can be no more recordings of Soft Cell without Dave, it would not be possible. The sad reality is that Dave Ball was half of Soft Cell, and live work aside, I can't write Soft Cell songs without him.\"\u003c\/span\u003e\u003c\/i\u003e\u003cb\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eLP:\u003cbr\u003eSide A\u003cbr\u003e1) Elusive (Vinyl Edit) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e2) Danceteria\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e3) The Space Inside (Vinyl Edit)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e4) Times Square (Vinyl Edit)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e5) Two Of A Kind\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e6) The Rainbow Room (Vinyl Edit)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e7) In Heaven (When I Dance With You) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eSide B\u003cbr\u003e1) Decadence Is Hard Work\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e2) Losing Yourself\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e3) After Hours\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e4) Wave To America\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; color: #26282a;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma; mso-ansi-language: EN-GB; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003e5) Out Come The Freaks\u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":58294310928715,"sku":null,"price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/Soft_Cell_2.png?v=1788001017"},{"product_id":"sasha-john-digweed-northern-exposure-redux-south-2lpout-25-9","title":"Sasha \u0026 John Digweed - Northern Exposure Redux - South (2LP)(Out 25\/9)","description":"\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eSIDE E\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ctable class=\"MsoNormalTable\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"720\" style=\"margin-left: -48.6pt; border-collapse: collapse; mso-table-layout-alt: fixed; mso-padding-alt: 0cm 5.4pt 0cm 5.4pt;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"mso-yfti-irow: 0; mso-yfti-firstrow: yes; mso-yfti-lastrow: yes; height: 13.05pt;\"\u003e\n\u003ctd width=\"239\" valign=\"top\" style=\"width: 179.55pt; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 13.05pt;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 107%;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 9.0pt; line-height: 107%; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eLate Night Tales in association with Night Time Stories\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cb\u003e\u003cspan lang=\"IT\" style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma; mso-ansi-language: IT;\"\u003eSIDE A\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eOriginally released on 27th September 1996, ‘Northern Exposure’ is widely regarded as one of the greatest mix compilations ever made. Thirty years on, it sounds as vital as ever - a testament to the fearless vision that went into its creation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eAt a time when DJ culture was still writing its own rules, Sasha and John Digweed pushed against the grain. Drawing on sounds discovered during early trips to America - from Rabbit in the Moon to Future Sound of London - they built something that prioritised atmosphere over dancefloor convention. DJ Mag panned it on release. History changed their tune.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eNorthern Exposure Redux marks the 30th anniversary with a definitive reissue of both original mixes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eCanonical then. Essential now.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eSIDE E\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eE1. Dope On Plastic – Wave Dub\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eE2. Drum Club – Sound System (Underworld Mix)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eE3. Castle Trancelott – The Gloom\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eSIDE F\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eF1. Pete Lazonby – Wave Speech (NE Edit)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eF2. Evolution – Phoenix\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eF3. The Light – Dusk\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eSIDE G\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eG1. X-tracks – Plan ‘94 (The Voyage)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eG2. Mellow Mellow – I Can’t Stop (Parrot Trance)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eG3. Banco de Gaia – Heliopolis (Eedupolis Dog Mix)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eSIDE H\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eH1. Humate \u0026amp; Rabbit In The Moon – East (Opium Den Mix)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eH2. Darren Emerson – Dark And Long (Dark Train)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e \u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":58297899123019,"sku":null,"price":32.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/SashaDigweedSouthBlue.png?v=1788011722"},{"product_id":"ron-trent-primitive-arts-3lp9out-25-9","title":"Ron Trent - Primitive Arts (3LP)9Out 4\/12)","description":"\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eRon Trent’s Primitive Arts originally released on Peacefrog Records in 1999 is a triple LP collecting some of Trent’s most beloved tracks released on his own label, Prescription Records, and rounds it off with a few new cuts that easily assimilate with Trent’s best material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-outline-level: 1; margin: 0cm 27.0pt .0001pt -54.0pt;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-right: 27.0pt; mso-outline-level: 1;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":58298017743179,"sku":null,"price":42.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/RonTrent.png?v=1788011872"},{"product_id":"axel-boman-tell-it-to-the-mountain-2lpout-25-9","title":"Axel Boman - Tell It To The Mountain (2LP)(Out 2\/10)","description":"\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eSwedish producer and DJ Axel Boman announces a new label, Blurry, with the release of a new album - Tell It To The Mountain – a collaboration between Axel Boman himself and acclaimed German producer Superpitcher. ”I’ve dreamed of having a platform where I can experiment with art and music for a while now and this album feels like the perfect project to launch it with” says the Studio Barnhus co-founder.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eSwiss wiz kid and long time friend Laurenz Brunner is enlisted for the art direction and will make sure that Blurry won’t be following trends or holding back on bold ideas. The story behind Tell It To The Mountain, the first album to be released on Blurry, begins with a transformative hike to Sweden's Helags Glacier. Three days of pushing both mental and physical abilities to the max left Axel and Superpitcher in a state of mind that was equal exhaustion and inspiration. In that state they began making music that felt like it was writing itself; boundaryless and beautiful, pushed by instinct rather than thought, inspired by this overwhelming experience. ”I’ve admired Superpitcher for decades now. He is a master of suspense, melody, repetition and groove. He has been highly influential in my own work and I’ve been wanting to collaborate with him for years” says Axel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eTRACKLIST: \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eA1. Birdwatchers\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eA2. Helags\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eA3. Trouble At The Top\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eB1. True Crime\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eB2. Latin Sherpa\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eB3. Hiking (The Glacier)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eC1. Kartlav\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eC2. Side Quest feat. Konrad Agnas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eD1. Tell It To The Mountain\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eD2. Hey It’s Me, I Love You\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":58298098450763,"sku":null,"price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/axelboman.png?v=1788013771"},{"product_id":"soul-ii-soul-x-cinthe-missing-you-cinthe-remix-12out25-9","title":"Soul II Soul x Cinthe - Missing You. Cinthe Remix (12\")(Out25\/9)","description":"\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eSoul II Soul's classic gets the Cinthie treatment. The Berlin based DJ, producer and label owner behind 803 Crystal Grooves, Collective Cuts and We R House, and the mind behind the influential Elevate record store, turns her attention to one of British soul's iconic collectives. Missing You, originally released in 1990, gets stripped back to its raw emotion and rebuilt for the floor. The Club Mix retains the original's emotion while driving it with low-end and a peak-time arrangement. The two dubs go further; raw, tool-ready cuts built for DJs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eA classic reworked with real house lineage. Missing You is built for 2026 club sets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eTRACKLIST:\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eSide A - Cinthie‘s Club Mix\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eSide B 1 - Cinthie‘s Dub 1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eSide B 2 - Cinthie‘s Dub 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-outline-level: 1; margin: 0cm 27.0pt .0001pt -54.0pt;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":58298209894731,"sku":null,"price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/SouliiSOul.png?v=1788014292"},{"product_id":"space-afrika-quiet-storm-coloured-vinylout-25-9","title":"Space Afrika - Quiet Storm (Coloured Vinyl)(Out 25\/9)","description":"\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eSpace Afrika, the Manchester\/Berlin-based duo of Joshua Tarelle Reid and Joshua Inyang, make raw, intensely detailed, visceral music with shades of ambient, trip-hop, techno, and modern classical, drawing spacious urban dubscapes from the contours of their city.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eQuiet Storm expands on their sound and scale as a sprawling, collaborative vision shaped with profound patience and intention, embedding their own coming-of-age story within a moving suite of cathartic abstraction. Songs allude to spirituality and the human condition, the tension between boldness and softness, ambition and persistent inner demons.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eSpeaking to the multidisciplinary nature of the project is the involvement of celebrated artist Glenn Ligon, whose work deals with Black identity and queerness. A central inspiration at the onset of recording, Ligon offered his work Figure #30 (2009) for the cover artwork, and following the completion of recording, he agreed to provide the project's name—an unprecedented gesture from the pioneering artist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eListening to the final sequence, Ligon thought of \"Quiet Storm,\" the 1970s radio format known for smooth, late-night programming with themes of life and love.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eQuiet Storm brings the listener through various scenes, interludes, and arcs, marked by a sense that its movement is fluid and its characters are fleeting. Into-the-mirror monologues grapple with the existential and the immediate: survival, autonomy, purpose.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eThe album opens with the explosive, string-backed “Vanity,” featuring Grammy Award winner Axelle Fanyo. At first fixated on the crevices of a quiet room, “Vanity” unfurls under Fanyo's expressive soprano, traversing a wide emotional spectrum from sublime contemplation to poignant, heart-piercing pain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eThroughout the record, words spoken and sung are placed sparingly to powerful effect. “2MLN”'s beauty and catharsis is a collective slow march, featuring British-Nigerian artist Tony Njoku, with guitar and lead bass by Gabriel Evans, London's PIKE on drums, and Copenhagen's GB on keys and strings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eHeavy yet hopeful, Joshua Tarelle Reid and Joshua Inyang remind you of their journey so far. An appropriately cryptic and transportive outro for their open-ended opus, Quiet Storm is a landmark level-up: self-produced, self-funded, and manifested out of sheer drive and conviction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003eThrough bent time and low-lit haze, undoubtedly, Space Afrika has arrived.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eVINYL — SIDE A\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpFirst\" style=\"text-align: justify; text-indent: -18.0pt; mso-list: l1 level1 lfo2; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e1.\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e      \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eVanity (ft. Axelle Fanyo)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\" style=\"text-align: justify; text-indent: -18.0pt; mso-list: l1 level1 lfo2; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e2.\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e      \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eCrying Never Had a Voice ~ (ft. Vanessa Bedoret)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\" style=\"text-align: justify; text-indent: -18.0pt; mso-list: l1 level1 lfo2; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e3.\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e      \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eFrom the Heart of Knowing (ft. Alto Aria)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\" style=\"text-align: justify; text-indent: -18.0pt; mso-list: l1 level1 lfo2; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e4.\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e      \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eBallad for A'G' (ft. RXK Nephew, Klein)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\" style=\"text-align: justify; text-indent: -18.0pt; mso-list: l1 level1 lfo2; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e5.\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e      \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eBlack and Gold\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eVINYL — SIDE B\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpFirst\" style=\"text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e1.\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e      \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eH00D Ambient Validation (ft. Any1)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\" style=\"text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e2.\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e      \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e2MLN (ft. Tony Njoku)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\" style=\"text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e3.\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e      \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eWe Live. Joy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\" style=\"text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e4.\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e      \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003ePretty Gospel (ft. Kiala Ogawa)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\" style=\"text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e5.\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e      \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eIf This Is Hell (ft. Deuén Regards)\u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":58298426786123,"sku":null,"price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/SpaceAfrika.png?v=1788014863"},{"product_id":"essa-j-felix-essa-j-felix-present-the-fifth-foundation-out-25-9","title":"Essa \u0026 J-Felix - Essa \u0026 J-Felix Present: The Fifth Foundation (Out 25\/9)","description":"\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eBonding over a shared love of soul, jazz, funk and hip-hop, rapper Essa and producer \/ multi-instrumentalist J-Felix assembled a dream-team of top notch vocalists and players for this collective effort.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eThe result? Driving beats, poignant bars, soulful hooks and stirring brass.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eThe collective includes vocalists Avijè, Vanya Lyma, Marshall Mandiangu and Jerry Clavier, with Jack Kendon on horns and a guest appearance from your favourite drummer’s favourite drummer, Richard Spaven.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eWith his customary wit and masterful flow, Essa speaks on finding truth, confronting ego, eloping to the tropics and breaking generational curses. The esteemed lyricist was a key figure in UK Hip-Hop’s heralded “golden era”, alongside contemporaries and collaborators Jehst, Klashnekoff and TY, performing and recording with such luminaries as De La Soul, Wu-Tang Clan, Guru, Slum Village and Pharoahe Monch, winning praise from Nas and Mark Ronson.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eJ-Felix’s rich production takes in neo-soul, UK Jazz, boogie and hip-hop. His signature “J-Funk” style evokes classic samples but with all-original playing from the versatile multi- instrumentalist, who has worked with Swindle, Kojey Radical, Mahalia and Alice Russell.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eThe Fifth Foundation’s explosive live experience ranges from a versatile MC\/DJ set-up to a full live band, with horns and multiple vocalists, mixing originals from this bold debut with inspiration from timeless soul, jazz, funk and rap classics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eTRACKLIST: \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eSIDE A: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e1 - Seeing Heaven feat.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eMarshall Mandiangu\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e2 - Break The Chain feat. Avijè \u0026amp; Richard Spaven\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e3 - Can’t Stop Thinking About Yesterday \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e4 - Going Nowhere \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e5 - Unshakeable \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eSIDE B: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan lang=\"IT\" style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma; mso-ansi-language: IT;\"\u003e1 - Growing Pains _ft. Vania Lima\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan lang=\"IT\" style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma; mso-ansi-language: IT;\"\u003e2 - Costa Rica ft. \u003c\/span\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003eMarshall Mandiangu\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e3 - On My Mind ft. Jerry Clavier\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e4 - What People Say\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e5 - No Questions, No Lies\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -49.65pt; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Tahoma',sans-serif; mso-fareast-font-family: Tahoma;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":58298447331659,"sku":null,"price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/Essa.png?v=1788016544"},{"product_id":"miley-bass-persuades-red-vinyl-posterout-18-9","title":"Miley - Bass Persuades (Red Vinyl + Poster)(Out 18\/9)","description":"\u003cp class=\"MsoNormal\" align=\"center\" style=\"text-align: center;\"\u003e\u003ci\u003e\u003cspan lang=\"EN\"\u003eBass Persuades\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN\"\u003e, the tenth studio album by 3x Grammy Award-winning, multi platinum artist Miley. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"text-align: center;\"\u003e\u003cspan lang=\"EN\"\u003eLost her surname along the way.....\u003cb\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"text-align: left;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 12.0pt; line-height: 115%;\"\u003e \u003c\/span\u003e\u003ci\u003e\u003cspan lang=\"EN\"\u003eBass Persuades \u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN\"\u003emarks Miley’s first album under Atlantic Records and her return to the live stage with a limited engagement at the Hollywood Bowl for two nights. \u003ci\u003eBass Persuades \u003c\/i\u003efollows her latest studio albums \u003ci\u003eSomething Beautiful\u003c\/i\u003e and \u003ci\u003eEndless Summer Vacation\u003c\/i\u003e, featuring the 2x Grammy Award-winning global smash hit “Flowers”. Miley would go on to win the Best Country Duo\/Group Performance Grammy for her collaboration “II MOST WANTED” with Beyoncé.\u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":58335957582155,"sku":null,"price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/MileyBassRSDstores.jpg?v=1788343890"},{"product_id":"jake-bugg-alamo-out-13-11","title":"Jake Bugg - Alamo (Out 13\/11)","description":"\u003cdiv\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan\u003eThe new Jake Bugg album \"Alamo,\" his seventh to date as he heads into his thirties, is produced by Jimmy Hogarth and is Jake’s most personal and heartfelt to date. Lyrically and sonically  the album has a distinctly raw and rootsy honesty. \"Never Can Tell \" is the first featured song from this album and is about how life pulls us in all different directions making us feel uncertain and like we’re sometimes not moving forward.\" Jake comments further “I wrote and recorded this record with my friends Jimmy Hogarth and Steve McEwan in London. I suppose it’s quite a personal and reflective record, and I feel it’s another step in the direction of my older sound and a record I really enjoyed making.\"\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eTrack Listing:\u003c\/b\u003e\u003cbr\u003e1. When The Night\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan\u003e2. Never Can Tell\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan\u003e3. Alamo\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan\u003e4. The Life\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan\u003e5. Trapped In A Cage\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan\u003e6. Ten Stories High\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan\u003e7. Tall Poppies\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan\u003e8. Drop In The Water\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan\u003e9. Cloud In The Sky\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan\u003e10. Day By Day\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan\u003e11. Everywhere I Go\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":58336068862283,"sku":null,"price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/JakeBugg_Alamo_LPMockUp_Indie_1.jpg?v=1788345232"},{"product_id":"simple-minds-sacrosanct-indies-green-vinylout-29-1","title":"Simple Minds - Sacrosanct (Indies Green + Black Inkplosion exclusive)(Out 29\/1)","description":"\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eFollowing on from 2025's third instalment in Simple Minds' Live album series, and the joint memoir celebrating the lifelong friendship between the band's singer Jim Kerr and guitarist Charlie Burchill, Our Secrets Are The Same, Simple Minds return with their nineteenth studio album, Sacrosanct.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eTheir first album of new material since 2022's Direction Of The Heart, its eight outstanding songs, finds lifelong collaborators Kerr and Burchill on supremely confident form, on one of their most vital albums in decades, one which recaptures the magic and majesty of the band's early years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eTRACKLIST:\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003e1. Elysium\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003e2. King of the Underworld\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003e3. Beginner Boys\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003e4. Jerusalem (State of Mind)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003e5. Our Secrets Are the Same\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003e6. Songs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003e7. Alive in This Moment\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003e8. The Next Right Thing\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":58347292852555,"sku":null,"price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/IMG-6914.jpg?v=1788681795"},{"product_id":"hot-since-82-obsessions-blue-marble-vinyl-out-4-9","title":"Hot Since 82 - Obsessions (Blue Marble Vinyl)","description":"\u003cp\u003e\u003cem\u003eReleased: 4 September 2026\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLanding on the 4th of September via his own imprint\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKnee Deep In Sound\u003c\/strong\u003e, ‘\u003cstrong\u003eObsessions\u003c\/strong\u003e’ is less a traditional dance record and more a reckoning — with where Daley Padley finds himself now, as an artist and as a person. Written across a period of constant movement, touring and introspection, the album holds the push and pull between intensity and stillness that has come to define his world.\u003cbr\u003e\u003cbr\u003eThis is an artist who started making music in Barnsley — long nights, small rooms, total commitment to sound. Those early marathon sets weren’t a stepping stone to something else. They were the foundation of everything that followed: global tours, chart success, the creation of Knee Deep In Sound, a career built entirely on instinct rather than expectation.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHot Since 82\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ehas never followed a fixed path. He’s carved out a space that sits somewhere between underground credibility and global reach — and it’s that same restless, uncompromising approach that shaped this album.\u003cbr\u003e\u003cbr\u003e“Some days feel heavier, some thoughts harder to hold. But music still reaches the places words can’t. It’s therapy and a reset button.”\u003cbr\u003e\u003cbr\u003eThat sense of release runs through the entire record. While rooted in house music, Obsessions doesn’t sit in one place for long — not to prove a point, but because that’s simply how Padley hears music. It moves between deep house, breakbeat, melodic electronica and full club focus as naturally as a conversation shifts tone. Moments of euphoria give way to reflection and tensions dissolves into release.\u003cbr\u003e\u003cbr\u003eThe album opens with ‘\u003cstrong\u003eAll That Matters\u003c\/strong\u003e’ — a track that feels immediately both expansive and intimate and sets the emotional register for everything that follows. From there it unfolds like a journey rather than a sequence.\u003cbr\u003e\u003cbr\u003eLead single ‘\u003cstrong\u003eShaded\u003c\/strong\u003e’, landing on the 12th June taps directly into classic house lineage while feeling unmistakably current — a bridge between where this music began and where it’s heading. Elsewhere, ‘\u003cstrong\u003eLife’s Too Short\u003c\/strong\u003e’ and ‘\u003cstrong\u003eEternity\u003c\/strong\u003e’ introduce warmth and movement, weaving piano, breakbeat and subtle Afro influences into the album’s wider palette.\u003cbr\u003e\u003cbr\u003eAs the record progresses, the light changes. ‘\u003cstrong\u003eWow\u003c\/strong\u003e’ leans into darker, late-night territory — tension, restraint, a hypnotic centre. The collaborations with Kuuda on ‘\u003cstrong\u003eState Of Mind\u003c\/strong\u003e’ and ‘\u003cstrong\u003eTime\u003c\/strong\u003e’ bring the album back into full club focus: driving, physical, built for scale.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e :\u003c\/span\u003e\u003cbr\u003e\u003ca href=\"https:\/\/us.list-manage.com\/RAVAW3RA6la?e=18217df6be\u0026amp;c2id=c35aed6e871e1f2b75473f407f2c0ac9\" title=\"https:\/\/us.list-manage.com\/RAVAW3RA6la?e=18217df6be\u0026amp;c2id=c35aed6e871e1f2b75473f407f2c0ac9\"\u003e\u003cspan\u003eA1: All That Matters\u003cbr\u003eA2: Shaded\u003cbr\u003eA3: Life’s Too Short\u003cbr\u003eB1: Eternity\u003cbr\u003eB2: Wow\u003cbr\u003eC1: State of Mind\u003cbr\u003eC2: Time\u003cbr\u003eD1: Who Do You Love\u003cbr\u003eD2: Another Life\u003c\/span\u003e\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":58347959615819,"sku":null,"price":34.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/li1_2.jpg?v=1788441400"},{"product_id":"unknown-lost-property-5","title":"Unknown - Lost Property 5 (Out 16\/10)","description":"\u003cp\u003e\u003cspan\u003eAfter a mysterious hiatus, one of The essential edit labels of the 2010’s has returned just as inexplicably as it disappeared..\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe previous 4 volumes now change hands with private collectors for $$ .. These limited run edits will no doubt sell out in similar fashion..\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe A side see’s the most dance floor oriented but often over looked track from Bjork’s album Debut receive the DJ edit it always needed . A2 a unique rework of a very rare nrg record that started out like as Aerobics accompaniment album..\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOn the Flip B1 take Turn toward the Funk , PBR giving the heavy dub treatment to one of The Whispers most criminally ignored tracks. Rounding things off the B2 drifts into the work of wonky, sleazy Italo.. Magari uses the little understood “wrong speed” technique to sublime effect, combined with some extra synth work it delivers a an entirely different track…one for the heads..\u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":58348010209611,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/li1_3.jpg?v=1788442015"},{"product_id":"alex-kassian-a-reference-to-e2-e4-by-manuel-gottsching-mad-professor-remix","title":"Alex Kassian - A reference to E2-E4 by Manuel Gottsching (Mad Professor Remix)(Out 18\/9)","description":"\u003cp\u003e\u003cspan\u003eAlex Kassian's extended rendition of E2–E4 promises a 12-minute electronic odyssey, tailor-made for diverse dancefloors from it’s spiritual home Ibiza and beyond. On the flip side, Mad Professor embarks on a club-oriented version excursion, a rare gem in its own right. This reimagining breathes new life into the classic, offering fresh perspectives for music aficionados everywhere. Hot tip for release of the Summer!\u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":58348087607627,"sku":null,"price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/li1_4.jpg?v=1788442558"},{"product_id":"wonky-logic-mek-do-mend-out-13-11","title":"Wonky Logic - Mek Do \u0026 Mend (Out 13\/11)","description":"\u003cp\u003e\u003cspan\u003eThis November, Brownswood Recordings will release Mek Do \u0026amp; Mend, the debut album from self-taught producer, multi-instrumentalist, composer and artist Wonky Logic. Although his name may not yet be familiar to everyone, Wonky Logic (AKA Dwayne Kilvington) has spent the past two decades quietly becoming one of the UK's most respected musical collaborators. His career has moved comfortably between London's jazz, electronic and contemporary music scenes, performing and recording with artists including Nala Sinephro, Yussef Dayes, Nightmares On Wax, Shabaka Hutchings and Emma-Jean Thackray. Alongside his work as a producer and composer, he's been musical director for projects with Eddie Chacon, John Carroll Kirby and I.G Culture's LCSM, scored the feature documentary Zandra With A Zed, contributed music to A24's The Smashing Machine, and continues to lead music workshops with young people, refugees and people experiencing incarceration.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFar more than a collection of compositions, Mek Do \u0026amp; Mend is a deeply personal reflection on the people, places and experiences that have shaped Kilvington throughout his life. It's the story of growing up on a Leeds council estate, where music became both a creative outlet and a way of understanding the world. Making music often meant working with whatever was available: a second-hand keyboard, a makeshift studio desk or ageing equipment that simply had to last a little longer. The title itself came from a conversation with his mother, capturing the resourcefulness that defined his upbringing and continued into the making of the album itself, which was written and produced to a tight deadline around touring, family life and Kilvington's work as a musician and educator.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBuilt from material spanning more than fifteen years, Mek Do \u0026amp; Mend brings together some of Wonky Logic's earliest compositions alongside brand new pieces written during the making of the record itself. Childhood ideas sit alongside music conceived only months before recording, creating an album that draws together a lifetime of writing rather than documenting a single moment. Running throughout are voice notes from family members, teachers, friends, mentors and collaborators—not simply as interludes, but as a reminder that no creative life is ever self-made. Rather than telling his own story outright, Kilvington invites listeners to discover him through the people who've shaped him: an aunt remembering him playing in church as a child, lifelong friends recalling early experiments making beats together, fellow musicians from different stages of his career and his mother describing him in her own words. Together they reveal the invisible network of relationships, philosophies, communities and experiences behind the music. \"The album exists somewhere between being a biography and an autobiography,\" says Dwayne. \"The biography is in the voice notes and how other people see me. The autobiography is in the music.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThat same philosophy extends to the musicians who appear on the record. Every contributor has played a meaningful role in Wonky Logic's life beyond the studio. Long-time collaborator Luke Wynter, Steam Down drummer Benji Appiah, partner Vanessa Rani, Jonathan Enser, Joe Bristow, Brother Portrait and Nubiya Imani all feature not simply because of their musicianship, but because they form part of the album's story.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAcross its fourteen tracks, Mek Do \u0026amp; Mend moves effortlessly between dynamic jazz arrangements, pulsating broken rhythms, delicate, twinkling piano passages, interstellar synth textures and elegant brass lines. Album opener and first single 'Strange Attractor' begins with a shimmering introduction before unfolding into an exhilarating surge of rhythm and momentum. Named after the mathematical concept of the same name, it serves as the conceptual point of origin for the album. Written when Kilvington was just seventeen, the composition reflects the idea that even the most unpredictable lives are guided by hidden patterns that often only become visible with time. Second single 'A Thousand Hands' features the unmistakable vocal tones of Brother Portrait, whose cerebral lyricism drifts over a low-slung, constantly shifting groove as woozy synth lines ebb and flow overhead. At its heart, the track celebrates the family, friends, mentors and collaborators whose often unseen influence shapes who we become, echoing the album's belief that every achievement is, in some way, a collective one. LP focus track 'BAME (Beyond All Marginalised Expectations)' is a lush, spiralling composition, brimming with both emotion and resolve. Reclaiming an acronym long imposed on racialised communities in the UK, the piece transforms it into a statement of possibility rather than limitation: a defiant rejection of stereotypes and a refusal to let identity be defined by other people's expectations.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe album itself only exists because other people believed in it. Isabel Gracefield made the RAK sessions possible, Rick David brought the record together with his characteristically thoughtful mix, and Gilles Peterson committed to releasing it on Brownswood before hearing any of the music. Away from the stage, Kilvington works with the charity Finding Rhythms, writing and producing original records with people experiencing incarceration, while also leading workshops with Arts Train and Dovetail Orchestra.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded live in a single day in Studio One at RAK, Mek Do \u0026amp; Mend was mixed by Rick David through an analogue Cadac console before being mastered by Stuart Hawkes at Metropolis. The aim wasn't nostalgia or audiophile perfection, but to create a record people could return to throughout their lives, discovering something new with each listen.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAs Dwayne puts it: \"I don't want this body of work to be reduced to a jazz record. It's more like a novel about life told through music.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Cloud Records","offers":[{"title":"Default Title","offer_id":58348293849419,"sku":null,"price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0889\/7878\/4587\/files\/46713de4-d962-44dd-3afb-9705056aff9a.jpg?v=1788444343"},{"product_id":"various-artists-a-la-altura-visionary-mexican-music-1977-1999-volume-2-out-27-11","title":"Various Artists - 'A La Altura: Visionary Mexican Music 1977-1999 - Volume 2 '(Out 27\/11)","description":"\u003cp\u003eCelebrating innovative Mexican musicians who merged electronic and indigenous instruments with minimalism, ambient, jazz and new age aesthetics.\u003c\/p\u003e\n\u003cp\u003eFeaturing 13 visionary artists including Ana Ruiz, Oxomaxoma, Gerardo Bátiz, Antonio Zepeda, and Airwaves, amongst others. Includes 4 previously unreleased tracks.\u003c\/p\u003e\n\u003cp\u003eCompiled and produced by Mexican journalist, musician and DJ, Carlos “Tropicaza” Icaza \u0026amp; dublab radio founder and LA Phil Creative Producer Mark “Frosty” McNeill.\u003c\/p\u003e\n\u003cp\u003eCover art by legendary artist Eduardo Terrazas and Design \u0026amp; Layout by D.Norsen Design.\u003c\/p\u003e\n\u003cp\u003eDouble LP pressed at Optimal and includes booklet featuring liner notes.\u003c\/p\u003e\n\u003cp\u003eAudio remastered by GRAMMY®–nominated engineer John Baldwin\u003c\/p\u003e\n\u003cp\u003eLimited color vinyl edition pressed on yellow \u0026amp; blue wax. \u003c\/p\u003e\n\u003cp\u003eA LA ALTURA, or “To The Height” brings recognition to Mexican musicians who, in the last decades of the 20th century, ventured into experimental territories with electronic and indigenous instruments, in dialogue with minimalism, ambient, jazz and new age aesthetics. 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